Phantom Opera

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Das Phantom der Oper ist ein uraufgeführtes Musical in zwei Akten von Sir Andrew Lloyd Webber und Richard Stilgoe, das auf dem Roman Das Phantom der Oper des Franzosen Gaston Leroux von basiert. Original Besetzung Aufnahme: Das Phantom der Oper ( UK double digitally remastered CD) - 21 Songs-Album - mit der Originalbesetzung des. bookabedandbreakfast.be: Finden Sie The Phantom Of The Opera [2 DVDs] [UK Import] in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab​. Buy Phantom of the Opera, the (Complete) by Original Soundtrack from Amazon's Classical Music Store. Everyday low prices and free delivery on eligible. Shop The Phantom of the Opera: Original Motion Picture Soundtrack (). Everyday low prices and free delivery on eligible orders.

Phantom Opera

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Phantom Opera Video

'The Phantom of The Opera' - The Phantom Of The Opera Denken Sie daran, dass das Theater das ganze Jahr über klimatisiert ist und ein wenig kühl werden kann. Unsere Poker Online für London mit Kids! Zusätzliche Informationen. Erleben Sie eines der ältesten und bekanntesten Musicals der Welt. Buchen Sie Ihre Tickets schnell und unkompliziert! Get the lowest prices and last minute availability. Phantom Opera Phantom Opera When he reveals a mirror that reflects an image of her in a wedding dressthe figure in the mirror gestures to Christine, and she faints from shock. In June it Giropay Dkb announced the show would not reopen in Archived from the original on 18 March Outstanding Orchestrations. The stand out moment for me was the beginning,when the film changed from black and white and went back in time to tell the story,it sent shivers down my Www.Westfalen-GlГјckswochen.De. WaterTower Music. Love Never Dies official site. New Haven, Yale University Lukas Schrammp. Drumright points out that music is evident throughout the novel in that Phantom Opera is the basis for Christine and Erik's relationship.

Furious, the Phantom declares war upon them both and causes flames to spring up around the mausoleum "Bravo Monsieur". With armed policemen having secured the auditorium and watching for the Phantom, Don Juan Triumphant premieres with Christine and Piangi singing the lead roles.

Mimicking Raoul's vow of devotion on the rooftop, the Phantom once again expresses his love for Christine and forces his ring onto her finger. Christine rips off his mask, showing his horrifically deformed face to the shocked audience.

Exposed, the Phantom hurriedly drags Christine off the stage and back to his lair. Piangi's garroted body is revealed backstage and the opera house plunges into chaos.

An angry mob, vowing vengeance for the murders of Buquet and Piangi, search for the Phantom. Madame Giry tells Raoul how to find the Phantom's subterranean lair and warns him to beware the magical lasso.

Down in the lair, the Phantom has compelled Christine to don a wedding dress. In a moment of epiphany, she explains that she is not fearful of his physical appearance, but rather his inner nature.

Raoul reaches the lair and attempts to persuade the Phantom to spare Christine and begs him for compassion. The Phantom retorts that the world had never shown him any and ensnares Raoul in the Punjab lasso.

As the Phantom and Raoul both vie for Christine, she sadly asks the Phantom what life he has been forced to live. Finally, she tells the Phantom that he is not alone and kisses him, showing him compassion for the first time in his life.

Having experienced kindness at last, the Phantom realises that he cannot win Christine by force, and frees Raoul. The Phantom makes them swear to never tell and yells for them to leave before collapsing in tears.

Raoul hurries Christine out of the lair, but she returns alone to give the Phantom back his ring. The Phantom finally tells Christine he loves her and she tearfully exits the lair to rejoin Raoul.

As the angry search mob closes in, the devastated Phantom huddles on his throne beneath his cloak. Meg is first to reach the lair and finds no one there.

She approaches the throne with curiosity and quickly pulls away the Phantom's cloak, but finds only his mask. She lifts the mask up into the light and gazes at it in wonder as the curtain falls "Finale".

The original casts of the major productions of The Phantom of the Opera : [49] [50]. The original London score is as the Broadway score but with only one percussion part and 7 violins.

The Broadway production originally used a piece pit orchestra: [57]. In the heirs of Giacomo Puccini charged in a lawsuit that a recurring two-bar passage in "Music of the Night" closely resembled a similar phrase first heard in the aria "Quello che tacete" from Puccini's opera La fanciulla del West.

In a Baltimore songwriter named Ray Repp filed a lawsuit alleging that the title song from Phantom was based on a song that he wrote in called "Till You".

He avoided taking legal action, saying, "Life's too long to bother with suing Andrew fucking Lloyd Webber. Phantom has been translated into several languages and produced in over 28 countries on 6 continents.

The show featured updated technology and effects, including a re-engineered chandelier capable of reassembling in midair during the overture while the entire interior of the venue not merely the stage returned to its s halcyon days.

In The Really Useful Group copyright owners of Phantom released certain rights to the play in celebration of its 25th anniversary. One of which has Yakko Warner voiced by Rob Paulsen dressed as the Phantom and singing a parody of the song " The Music of the Night ", causing the audience to fall asleep.

The musical was featured in a cutaway gag in the Family Guy episode " Deep Throats ", which the "Music of the Night" scene is interrupted by Peter Griffin Seth MacFarlane telling the Phantom to show the "gross-half" of his face so that he could leave the theatre, as well as "that nose better be piggy," referencing Lon Chaney's film.

In , the song "Masquerade" was covered by the cast of the television series Chilling Adventures of Sabrina in the episode "Chapter Twenty: The Mephisto Waltz" from the first season.

Set in a decade after the conclusion of Phantom according to the production's announcement, [] but actually 26 years later, as the original show was set in [47] , Christine is invited to perform at Phantasma, a new attraction at Coney Island , by an anonymous impresario.

With her husband Raoul and son Gustave in tow, she journeys to Brooklyn , unaware that it is the Phantom who has arranged her appearance at the popular beach resort.

Though it ran for over 17 months and closed on 27 August , the production received mixed reviews. From Wikipedia, the free encyclopedia.

Charles Hart Richard Stilgoe additional. Richard Stilgoe Andrew Lloyd Webber. Main article: The Phantom of the Opera film. This article appears to contain trivial, minor, or unrelated references to popular culture.

Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources , rather than simply listing appearances.

Unsourced material may be challenged and removed. June Main article: Love Never Dies musical. New York Times. Archived from the original on 30 May The Oxford companion to American theatre p.

Oxford University Press. Variety Media, LLC. Retrieved 13 March Retrieved 23 April Sunday Times. Retrieved 9 July Houston Chronicle. New York, Hutchinson New Haven, Yale University Press , p.

Retrieved 22 August London times archive Retrieved 3 April London Theatre. Archived from the original on 11 April The Guardian.

Retrieved 5 May The Phantom of the Opera. Archived from the original on 1 January Retrieved 27 March Retrieved 28 January Retrieved 23 June Retrieved 28 July Retrieved 29 July Retrieved 30 July Archived from the original on 8 February Retrieved 27 January The New York Times.

Retrieved 6 June New York Daily News. Retrieved 29 May Retrieved 19 April Track Listing, Disc Owl Books. Retrieved 30 December Retrieved 16 September The Musical Company.

Retrieved 19 March Recording Industry Association of America. Retrieved 7 January British Phonographic Industry. Select albums in the Format field.

Music Canada. From metacritic. Major Comic-Con Home News. Musical movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 3 Oscars. Edit Cast Cast overview, first billed only: Gerard Butler The Phantom Emmy Rossum Christine Patrick Wilson Raoul Miranda Richardson Madame Giry Minnie Driver Firmin Simon Callow Andre Victor McGuire Piangi Jennifer Ellison Meg Giry Murray Melvin Reyer Kevin McNally Buquet as Kevin R.

McNally James Fleet Lefevre Imogen Bain Carlotta's Maid Miles Western Carlotta's Wigmaker Judith Paris Learn more More Like This.

Drama Music Musical. Moulin Rouge! Drama Musical Romance. A poet falls for a beautiful courtesan whom a jealous duke covets.

Drama History Musical. Hairspray Comedy Drama Musical. Love Never Dies II Chicago Comedy Crime Musical. Rent Mamma Mia!

Comedy Musical Romance. Crime Drama Mystery. The managers assume his demands are a prank and ignore them, resulting in disastrous consequences; Carlotta based on the late singer Madmoiselle Carvalho [8] ends up croaking like a toad, and the chandelier suddenly drops into the audience, killing a spectator.

The Phantom, having abducted Christine from her dressing room, reveals himself as a deformed man called Erik. Erik intends to hold her prisoner in his lair with him for a few days, but she causes him to change his plans when she unmasks him and, to the horror of both, beholds his noseless, lipless, sunken-eyed face, which resembles a skull dried up by the centuries, covered in yellowed dead flesh.

Fearing that she will leave him, he decides to hold her permanently, but when Christine requests release after two weeks, he agrees on the condition that she wear his ring and be faithful to him.

On the roof of the opera house, Christine tells Raoul about her abduction and makes Raoul promise to take her away to a place where Erik can never find her, even if she resists.

Raoul tells Christine he will act on his promise the next day, to which she agrees. However, Christine sympathizes with Erik and decides to sing for him one last time as a means of saying goodbye.

Unbeknownst to Christine and Raoul, Erik has been watching them and overheard their whole conversation. The following night, the enraged and jealous Erik abducts Christine during a production of Faust and tries to force her to marry him.

Raoul is led by a mysterious opera regular known as "The Persian" who directly narrates the next few chapters into Erik's secret lair deep in the bowels of the opera house, but they end up trapped in a mirrored room by Erik, who threatens that unless Christine agrees to marry him, he will kill them and everyone in the Opera House by using explosives.

Christine agrees to marry Erik. Erik initially tries to drown Raoul and the Persian, using the water which would have been used to douse the explosives, but Christine begs and offers to be his "living bride", promising him not to kill herself after becoming his bride, as she had both contemplated and attempted just prior.

Erik eventually releases Raoul and the Persian from his torture chamber. When Erik is alone with Christine, he lifts his mask to kiss her on her forehead and is eventually given a kiss back.

Erik reveals that he has never kissed anyone, including his own mother, who would run away if he tried to kiss her -- nor has anyone ever kissed him.

He is overcome with emotion. He and Christine then cry together and their tears "mingle". She also holds his hand and says "Poor, unhappy Erik", which reduces him to "a dog ready to die for her.

He also makes the Persian promise that afterward he will go to the newspaper and report his death, as he will die soon and will die "of love". Indeed, sometime later Christine returns to Erik's lair, buries him somewhere where he will never be found by Erik's request and returns the gold ring.

Afterward, a local newspaper runs the simple note: "Erik is dead". Christine and Raoul who finds out that Erik has killed Raoul's older brother elope together, never to return.

The epilogue pieces together bits of Erik's life, information that "the narrator" obtained from the Persian. It is revealed that Erik was the son of a construction business owner, deformed from birth.

He ran away from his native Normandy to work in fairs and in caravans, schooling himself in the arts of the circus across Europe and Asia, and eventually building trick palaces in Persia and Turkey.

Eventually, he returned to France and started his own construction business. After being subcontracted to work on the foundations of the Palais Garnier, Erik had discreetly built himself a lair to disappear in, complete with hidden passages and other tricks that allowed him to spy on the managers.

Leroux uses the operatic setting in The Phantom of the Opera to use music as a device for foreshadowing. She uses the example of how Leroux introduces Danse Macabre which means "dance of death" in the gala scene which foreshadows the graveyard scene that comes later where the Phantom plays the fiddle for Christine and attacks Raoul when he tries to intervene.

Drumright points out that music is evident throughout the novel in that it is the basis for Christine and Erik's relationship.

Christine sees Erik as her Angel of Music that her father promised would come to her one day. The Phantom sees Christine as his musical protege, and he uses his passion for music to teach her everything he knows.

Stylistically, the novel is framed as a mystery novel as it is narrated through a detective pulling his information from various forms of research.

But, it seems that the mystery novel persona was a facade for the real genre being more of a gothic romance. In his article, Fitzpatrick compares the Phantom to other monsters featured in Gothic horror novels such as Frankenstein's monster , Dr.

Jekyll, Dorian Gray, and Count Dracula. The Phantom has a torture chamber where he kidnaps and kills people, and the walls of the chapel in the graveyard are lined with human bones.

People are frightened by him because of his deformities and the acts of violence he commits. The novel features a love triangle between the Phantom, Christine, and Raoul.

Raoul is seen as Christine's childhood love whom she is familiar with and has affection for.

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